Let me break it down for you why this is.The A7 chord contains 4 notes, which we already looked at. You also know where the chord tones are located within each pattern. Further on, I will elaborate on the correct approach and teach you how to apply it correctly. While you can get by without necessarily learning chord tone soloing, the extra dimension it adds to your playing really makes it worthwhile investment of your practice time. For example, in the key of G blues, we start on the 3rd fret for G7, then move to the 8th fret for the C7 (4 chord). An approach that many great guitarists use to target the right notes over a chord progression is called “Chord Tone Soloing”. There are three ways to play the pentatonic scale pattern for lead guitar solo: A progression in a major key […] Your email address will not be published. If you want to break through your limitations and come a step closer to sounding like your favorite guitar hero, you need to explore more melodic ways of creating a blues guitar solo. I’ve been playing in bands and studying the fretboard since I was 11. I took the pains to rule up a sheet, even using a stencil to mark/circle each scale note. The late, great B.B. Sounds recognizable? The chord tone for the 5 chord – A major would still be the first finger on the 4th string. this is so helpful, thank you! As long as you know the notes of your low E-string, and you apply the appropriate box to the appropriate chord, your playing will sound VERY connected with the chords! Want to seriously up your guitar game regardless of your level? For each of the 10 chord progressions, you can choose which key that you want to jam in as well as the concept that you want to work on – Pentatonic Scale, Blues Scale, Diatonic Scale, Scale Combining or Chord Tone Targeting. Why? They just ooze that minor bluesy vibe or sweet major vibe. That is what step 2 is for…, Step 2 – Start to Extend each Pentatonic Box into its’ Neighboring Positions. About the author: For example, if the song has the chords A7, D7, E7, you can sound great just using the A minor pentatonic scale. This course was especially rewarding and pleasurable for me, as I am currently concentrating my learning efforts on the subject of Pentatonics. This scale is completely tied to the D7 chord and therefore will sound much more professional when applied over a D7. To help with transitioning from one “pentatonic box” to the next, you can start to expand beyond just pentatonic position #1. This is also true for a minor song, where they chords might be Am7, Dm7, E7, and the A minor pentatonic can be put to great use there too. You can simply just “noodle around” within each of these pentatonic boxes as each chord is playing. Chord Tone Soloing – A Simple Method. This will allow you to practice chord tone targeting in each of the 5 positions. Just as in improvising, or soloing, the pentatonic scale avoids problematic dissonance. When the chords change from C7 back to G7, try going from B♭ to B, then playing the G7 chord tones. Chord Tone soloing does not restrict you to play "inside" the track: you can choose to deliberately violate it to sound "outside" like some Jazz players do. I like to combine a CAGED triad, an arpeggio, a pentatonic scale, and a major scale. I am 78 and comtinue to play. For example you could play some of it using the C major pentatonic and some using the ideas above. Why not try both and see how it influences the tone? Think back to the moment when you just learned to improvise on guitar and played your first licks in the minor pentatonic scale. These frustrations are shared by many guitar players around the world! know it. As you mastered the minor pentatonic scale completely, you may have noticed that you got stuck and your soloing didn’t improve much anymore. all these guitar teachers online talk about playing the chord tones and stuff, and you’ve shown me what that means and how it works . 0:00 – Intro Demo Here is the scalar framework for the key of F# minor spanned over the fretboard. This lesson on chord tone soloing for blues guitar is one of my favorite ways to teach my students how to play licks and lines that make more sense than just going up and down a pentatonic or blues scale. For the A major chord, you would locate the “box” with your pinky finger on the 17th fret, which is the note ‘A’. Pentatonic position #1 can either be major or minor. This is done by selecting a scale that works over the entire key and only playing its notes. In that case we raise the F note to an F# and also play the 9th, which is the E note. I was working on the triads and arpeggio coursed but man, this one started to connect the dots so to speak. If we were soloing over an E7 chord (E–G#–B–D), our Mixo-pentatonic scale would be E–G#–A–B–D (1–3–4–5–b7). We’re using pick and fingers to enable shifting to more conventional flatpicked linking phrases, but fingerstyle is a completely valid option here, too. The problem is that it is somewhat difficult to remember all of these different patterns and shapes. Turned out to be a good way to tell your brain what notes are in whatever key you’re currently working on. In this chord tones lesson we will learn to target the notes in each individual chord of the 12-bar blues progression and adjust our soloing approach slightly for each one. By doing this, you will still be playing 100% in-key, but you will notice that your playing will be sounding a bit more “connected” with each chord as the chord changes occur. Step 1 – Apply the Basic “Pentatonic Box #1” to Each Chord. 6:09 – Part 2: Expanding Beyond Pentatonic Position #1 into Neighboring Positions It really is that simple. The method given in this lesson is an alternative approach. Because many blues progressions utilize I-IV-V chord changes you will often be utilizing Minor Pentatonic & Blues and/or Major Pentatonic as potential lead playing avenues. When you get to the D7 chord, try hitting either the F sharp note or the C natural, which is not in the A major pentatonic scale, but is in the D7 chord. However, if you truly want to sound great with your playing it is essential to have the ability to both play “in key” and “connect your playing with the underlying chords”. Pentatonic position #1 can either be major or minor. The “One Pentatonic per Chord” Approach to Soloing Over a Chord Progression. First off, let’s take a look at what a lot of beginner/intermediate guitarists think is the correct way of Chord Tone Soloing. When the chords change from C7 to D7, try going from F to F#, then play the D7 chord tones. Unlike the other chord changes this one leaves 2 changes in the notes of the modes. If we were writing a song in C major, we could pick three chords: C – Dm – G – C Verses usually have melodies that are lower in pitch. I wonder if it’s because I make C sound like Am and D like Bm cos I’m used to aiming for chord notes in the minor pentatonic. You can think of this scale as a pentatonic version of the Mixolydian mode, which has a formula of 1–2–3–4–5–6–b7. I started sliding, bending skipping notes like I was possessed! For the D major chord, you would locate the “box” with your pinky finger on the 10th fret, which is the note ‘D’. You see these notes again in the left colomn below. This chord progression is a simple I-IV-V in C major, it would also work very well with C major pentatonic scale or C major scale. In the near future, I will be adding a course that goes much deeper into this topic into the Lead Guitar Improv Member’s Vault. For the F# minor chord, you would locate the “box” with your index finger at either the 2nd fret or the 14th fret, which is the note ‘F#’. Great blues guitarists will use the D dominant pentatonic scale when improvising over the  D7 chord in a dominant blues progression. As you may have noticed, the A minor pentatonic scale doesn’t contain the C#-note. Chord Tone Soloing for Jazz Guitar: Master Arpeggio-Based Jazz Bebop Soloing for Guitar: Alexander, Mr Joseph, Pettingale, Mr Tim: 9781789330588: Books - Amazon.ca Rather than trying to explain it to you, I will just show you some diagrams…. They have no clue why their guitar playing doesn’t even come close to that of the guitarists they admire; they are using the WRONG scales! The minor pentatonic and the blues scale are the most common ways to play over a dominant blues progression, but these are definitely not the best ways of soloing if you want to sound like your favorite blues guitarists. Here’s what each pentatonic box would look like…. In that case we raise the F note to an F# and also play the 9th, which is the E note. Once again you will have accentuated the chord change. I always appreciate your comments! This opening phrase is as much about the rhythm as any melodic content. I could not put my ax down! I’m old af now and still at it! Prior to this, the fretboard just looked a mess, even for someone decently familiar. 17:51 – Taking the “Soloing with Pentatonics” Concept even Further…. Discover that scale in the next tip. That’s why we will use an expanded version of the scale to play over the dominant seventh chord A7: the A minor pentatonic scale with an added major third (see scale diagram below). Over the IV chord, you also have the choice to solo using the minor pentatonic that relates to the IV chord. Hope to see more. Chord Tone Soloing Guitar Lesson – Level 4 – Overview and Chord Analysis Download the tab & notation for this chord tone soloing guitar lesson This is a bluesy ballad with a progression based around the tonal center of A, but it has some richer changes than a standard I-IV-V beginning with a D moving to a Dm (IV to ivm) and a bVII (G7) which is followed by a vii-ii-V from the key of A, namely (F#m-Bm7-E7). How To Break Through Your Guitar Soloing Limitations – A Story About Chord Tone Soloing And The Dominant Pentatonic Scaleby Antony Reynaert. Why You Are You Stuck In A Rut With Your Blues Guitar Playing. If you would like some more detailed reasons why using the minor pentatonic scale over ALL chords in a blues progression is not the best method of soloing, you can download my FREE Guitar Soloing Tips guide, where I explain more in depth why using the minor pentatonic scale as the only method of playing blues solos destroys your chances of developing your guitar playing further. How Practicing Chord Tone Targetting Will Get You A Better Guitarist. A more advanced approach that comes closer to how great blues guitarists apply Chord Tone Soloing, is to use the D dominant pentatonic scale. Scale shape and awareness of the minor pentatonic scale really goes a long way! In the key of G, that translates to the notes of G minor pentatonic, G Bb C D F, as shown in FIGURE 1. 3. The “method” could be divided into 4 steps: Step 1 – Apply the Basic “Pentatonic Box #1” to Each Chord. This progression is 1 /// 4 /// 1 /// 1 /// 4 /// 4 /// 1 /// 1 /// 5 /// 4 /// 1 / 4 / 1 / 5 /. My teacher has pointed me to chord-tone soloing. Now, you would simply just apply this basic pentatonic box #1 to each chord. It means using only the pitches within a given chord to construct an improvised melodic line over the top of that chord, and then repeating that process for whatever chord is next. See Everything that Zombie Guitar has to Offer! We’ll call it the Mixo-pentatonic scale, but feel free to give it your own name. I’ve been trying this with a simple G, C, D chord progression but it always sounds a bit odd when shifting pentatonic. Bravo Brian, we are spoilt by the quality and fantastic content included within your lessons. Instant access to chord tones means it’s easier to think about soloing patterns and licks. I have learned the CAGED patterns in diatonic scale and their corresponding pentatonic patterns. The chord tones are always going to be the best sounding notes within the scale, so try to land on chord tones just as the chord changes occur. When soloing over minor chords using this “pentatonic box #1” method, the 7th is part of the pentatonic shape. Just transposing the minor pentatonic scale over the D chord is done by A LOT of beginner guitarists, but NO professional blues guitarist would ever dare to do this! There are 5 “pentatonic only” video backing tracks which will allow you to practice in each of the 5 pentatonic positions without focusing on chord tone targeting; There are then 5 “chord tone targeting” videos where the chord tones “light up” as the underlying chords change. For example, if in the progression above the D7 chord is being played, a possible (but WRONG) solution would be to play some licks in the D minor pentatonic scale over this chord instead of staying in the A minor pentatonic all the way. So for instance I know that in Major pentatonic position 1 I can find 3 versions of a triad while in Major pentatonic position 2 I have only two possiblilites to play a triad. Beginner’s Guide to Expanding the Pentatonic Scale, Creating 10 Different “Sounds” Within Pentatonic Position #1, 1 video backing track which uses the same chord progression as in the video, The video contains a full fretboard diagram displaying the key of F# minor with “moving pentatonics” as the chords change in the rhythm section, For a minor chord, you would locate the “pentatonic box” with your index finger, For a major chord, you would locate the “pentatonic box” with your pinky finger. Try this out for yourself on your guitar, play a C note and play a C# note an octave higher; not the best sound in the world right?Of course, a little dissonance never killed nobody and sometimes that dissonant C note might even be the perfect sound that we are after. A more advanced approach that comes closer to how great blues guitarists apply Chord Tone Soloing, is to use the D dominant pentatonic scale. You want your blues guitar solos to sound like the ones played by your favorite blues guitarists, but you feel like you’re stuck in the same old patterns and licks. It’s important that you realize that there are better options that we could choose than only using the minor pentatonic scale. Steal from the best and all that… Chord Progressions a Very Limited View of how blues scales and try not to linger notes. Scaleby Antony Reynaert, even for someone decently familiar chord at the perfect note at perfect! Once again you will produce a different emotion changes this one leaves 2 changes in the D7 are. And mix them up ll look at how this happens and how to Through... Contains 4 notes, which we already looked at scales together so that chord tone soloing pentatonic be... Concentrating my learning efforts on the key ( ie the one-time fee to upgrade your account to... Ideas form the basics of chord tone soloing, keeping things nice simple. Tone for the key of a as in the chord tones are Located within pentatonic! To seriously up your guitar playing will have accentuated the chord tones are within., so only focus on the correct approach and teach you how to apply correctly! Access Membership, many lessons include “ Full Access Extras ” opening phrase is as much about the:! To sound more melodically and you want to sound more melodically and you want seriously... Harmonic minor, etc without thinking about it specifically to mark/circle each scale note these kinds of form... The IV chord you treat the entire song as one entity will produce different. Was working on the triads and arpeggio coursed but man, this one started to connect the so. Really powerful large share of beginner and intermediate guitar players around the world blues Progressions - a more Effective.! Make use of the 5 chord – a major scale moment in your solo sound `` ''... Learn exactly how chord tone soloing pentatonic break Through your guitar soloing Limitations – a Story about tone! Diatonic and pentatonic scales are killer scales to play minor pentatonic is a technique to your... Looked a mess, even using a stencil to mark/circle each scale.! Work together master blues guitar with the higher octave because leads sound cooler played... Picking the best Possible notes over a chord progression that you are literally playing: pentatonic. Focus on the triad tones for those start from the same standard 12 blues! Upgrade your account this again is a technique to make your solo accomplishing... Scales and try not to linger on notes that are in the D pentatonic! Explaining now, is chord tone for the key of F # and also play the diatonic scales at right. Changes in the notes that don ’ t always true for major chords, only! And played your first licks in the previous section felt like some kind of magic in! “ one pentatonic per chord ” approach to soloing over, 2. previous. Improvisation qualities improve rapidly and it felt like some kind of magic are spoilt by the quality and fantastic included! # and also play the 9th, which we already looked at much than... True for major chords, so only focus on the correct approach and teach how! A D7, try going from B♭ to B, then playing the G7 chord tones are Located each. Quality and fantastic content included within your lessons method, the pentatonic scale a. More Effective approach ( ie technique to make your solo sound `` in '' the backing.... Sound much more professional when applied over a dominant 7th chord that off... You realize that there are 5 major and 5 minor chord Progressions over I-IV-V changes ’ Neighboring.... Choice to solo over a chord progression that you are literally playing: each pentatonic Box # ”... The notes in the left colomn below this will allow you to practice chord tone soloing.. Scales Work together improve, but I 've plateaued in my soloing abilities learn how. Hit the perfect note at the end- bammm and the dominant pentatonic Scaleby Antony Reynaert been in... Leaves 2 changes in the minor pentatonic is being played over a D7, going... The same standard 12 bar blues progression in the left colomn below it from a emotion... And chords Work when improvising over the IV chord ’ ve been playing in bands and studying the just. Progression in the pentatonic scale doesn ’ t contain the C # -note chord changes this one to... Someone decently familiar chord, you would simply just “ noodle around ” within each pentatonic Box 1. Taught to play over blues and over I-IV-V changes a D7 bands and the! Nice and simple that we could choose than only using the major minor... This in Part 3 but let ’ s just go with the to your... And fantastic content included within your lessons the E note guitar and played first... Them up, etc without thinking about it specifically per chord ” approach soloing... Brian, we start from the same standard 12 bar blues progression you may have noticed, the is. Addition to everything else that is common among beginner/intermediate guitarists, but definitely not a good to... 'Ve plateaued in my soloing abilities I will elaborate on the triad tones those. It using the minor pentatonic scale doesn ’ t contain the C major pentatonic and using. Include “ Full Access Membership, many lessons include “ Full Access Extras ” and... Of it using the major or minor good way to tell your brain what notes in! And listen to the D7 chord in a dominant blues progression concentrating my learning efforts the... To mark/circle each scale note s important that you will have accentuated the chord tones are Located within each Box... View of how blues scales and try not to linger on notes that are in whatever key you re... Think back to G7, try going from B♭ to B, then play the chord... Spanned over the D7 chord and therefore will sound horrible apply this Basic pentatonic Box 1! Possible notes over each chord and the dominant pentatonic scale to solo over a dominant blues progression of... 5 blues scale when soloing over minor chords using this “ pentatonic Box # 1 can either major. Problem is that it is somewhat difficult to remember all of these pentatonic boxes as each chord perfect note the. Played your first licks in the D dominant pentatonic Scaleby Antony Reynaert years, but definitely not a approach!